There’s a sound that doesn’t strive for perfection, but for possibility. One that doesn’t build sonic cathedrals, but broken pathways between memory and glitch.

Creating or performing is never a neutral act: it's a passage, a confrontation between the internal and the external, between personal memory and shared sonic environments.

This is not music made about the machine, but music made with it — a dialogue of feedback, friction, and unexpected openings.