Jairic: "We need to feel human"
- Andrea Ghidorzi

- 27 lug
- Tempo di lettura: 4 min
Aggiornamento: 28 lug
Raised in Detroit and now living in Europe, Jairic has developed a perspective shaped by two cultures that approach progress in very different ways.

His work moves naturally between rap, electronic music and cinematic atmospheres, without feeling the need to belong to a single genre. What matters isn't the label, but the emotion that remains once the music ends.
In this conversation, we talk about the future, technology, identity and the fragile balance between moving forward and staying human. From Detroit's resilience to Europe's sense of presence, Jairic reflects on what we're gaining as a society and what we may be quietly leaving behind.
Because perhaps the real challenge isn't keeping up with the future, but making sure we don't lose ourselves along the way.
Welcome.

You grew up in Detroit and now live in Europe. Looking at both worlds, what do you think humanity is collectively running toward and what do you feel we're slowly leaving behind?
Wow, not playing around for the first question—I love it.
Growing up in Detroit and now spending much of my life in Europe, I’ve experienced two very different relationships with progress. Detroit taught me to move—to build, work, adapt, and keep going. Europe has taught me to slow down enough to appreciate history, beauty, food, conversation, and the spaces between accomplishments.
I think humanity is collectively running toward greater speed, convenience, and connection. We want everything immediately, and technology keeps shrinking the distance between people, places, and ideas. There’s something genuinely exciting about that—we have access to more knowledge and opportunity than at any point in history.
At the same time, I think we’re slowly leaving behind presence. Ritual. Patience. The ability to sit with one another without distraction, or to create something simply because it has meaning—not because it can be measured, monetized, or optimized.
I’m not nostalgic for a world that never really existed, and I don’t think progress is the enemy. I just hope that as we become more connected digitally, we don’t become less connected emotionally. The challenge isn’t deciding whether to move forward—it’s making sure we don’t leave behind the things that make life feel human.
Your music blurs the line between rap, electronic music and cinematic storytelling. Do you think we're moving toward a future where genres disappear, or do people still need labels to understand themselves?
I’ve spent enough time trying to figure out what label I fit into to realize I don’t really care about labels anymore. They can be helpful for finding an audience, but I don’t think they should define an artist—or a person.
I try to make creative projects that inspire me first. Sometimes that sounds like hip-hop. Sometimes it leans electronic. Sometimes it feels more like a film score than either. If those influences blur together naturally, I’ve learned not to fight it.
So hearing that my music blurs genres is honestly humbling. I take that "label," ironically enough, with a lot of pride and gratitude. At the end of the day, I don't wake up trying to fit into a genre—I wake up trying to make something honest. If people connect with it, the label becomes a lot less important than the feeling it leaves behind.
Detroit transformed hardship into culture. Looking at today's society, do you think we're still capable of turning pain into creation, or have we become better at consuming it than understanding it?
Detroit has always had a blue-collar, engineering kind of grit woven into its DNA. It was built by people who showed up, worked hard, solved problems, and kept moving forward. The culture that came out of Detroit wasn't manufactured—it was a natural expression of people living that reality every day.
I absolutely think pain and struggle can be powerful sources of creation. Some of the most meaningful music, art, and literature have come from people trying to make sense of difficult experiences.
My hope is that we never lose our empathy for the artist behind the work. Today, it's easy to consume someone's pain as content without taking the time to understand the human story that produced it. I think the real value of art isn't that it lets us watch someone else's struggle—it's that it helps us understand it, and maybe even recognize pieces of ourselves in it.
Collaborating with NERVO transformed your track into something completely different while preserving its identity. What does it teach you about letting go of control over your own work?
It was a great feeling. Letting go isn't always easy, but when you trust the people you're working with, you have to let them do what they do best. Watching the track transform while still feeling like the same song was incredibly rewarding. It didn't change the heart of the song—it just revealed another side of it.
Your work often feels suspended between movement and reflection. Do you think music should help us escape reality, or return us to it with different eyes?
Thank you. Why not both? Why can't music be everything the listener needs it to be?
There have been times when music has taken me to another world, only for me to come back with a different perspective. Other times, it's just there in the background, quietly shaping a moment without me even realizing it. And sometimes it's front and center—full of color, movement, and energy.
I don't think music has one job. I think its purpose changes with the person, the moment, and even the day. That's part of what makes it so powerful.

Technology is changing not only how we create music, but also how we relate to one another. What part of being human do you believe should remain untouched, no matter how advanced the future becomes?
I hope we never lose our capacity for wonder, love, and genuine human connection.
If someone listened to your music a hundred years from now, what would you hope they understand about the people living through this moment in history?
I hope they'd understand that, despite all the noise, people were resilient. We loved deeply. We created beautiful things. We laughed, we danced, we chased impossible dreams, and yes—we were sexy too. We were complicated, imperfect, and constantly evolving, but we kept creating anyway.




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